Who says that so and so is the grammar of narration is correct. Ask this intelligent director Jayathirtha. He says anything can be given to audience on silver screen provided it is appreciable factor.
In giving a four track cinema narration director Jayathirtha never connects to each other. He knows he is a bundle of talent and unveils all deviating from the main track. You can’t say it is a drab because – the Tolstoy theory of landlord asking agriculturist to run and fetch the land shows the greed – that is seen in today’s life.
The missing from our generation the folk songs – the affection and importance of contents in the song is always memorable. This is what director adds in another track. There is a love track – the female protagonist says if you can stay with Aunty and make money, leave me to one of the uncles I will also make money. The innocence is fed with danger in this case.
· This two hours sixteen minutes and 50 seconds cinema minus the two tracks is also very interesting.
· Keshavamurthy and Pammi are in Pyaar. To lead a lovely and luxury life the need is money. Keshava is living from Pammi earning.
· So he takes up the challenge in his life. He is fixed with Rs.1 lakh as monthly salary and Rs.35000 is given as advance.
· The task of Keshava alias Tony (he is inspired from Tony Robbinson) is to change the sym card of 40 mobiles and place them and look at the miss call. It is from a mysterious caller and intelligent crime he is a part.
· This is the dangerous trend in the society and director Jayathirtha has brought it on silver screen at the right time.
· This operation of Tony is in seven stages and up to 5th stage there will be no meeting but transactions are happening.
· It is only in 6th and 7th stage the deadly criminals could be traced.
· For police tracing this task is a big headache. A team is formed and Tony is trapped.
· Fortunately Tony is framed as innocent and his crime (he presumes) are not real.
· What is the ultimate call of the film – Badukakke Dudiya Beku, Dudiyakke Badukabardu.
· The track of folk and land lord go unconnected to the film.
· The love and crime that protagonist indulges and escape happening from morning 8 am till 6 pm in the evening is interesting enough to attract.
· We see the qualities of Sunilkumar Desai in the direction of Jayathirtha. He has caught hold of the grip. The telephonic conversation what we see in the main track reminds ‘Beladingala Baale’.
· The introduction song in Puneeth Rajakumar voice does not come to the ears properly. The locations of Elephant village and Tiger safari in Bangkok are a treat to watch.
· The songs Andaju Sigta Illa On Andagathi…Naavu Kooguva Koogu….Tangaliyalli Nee Banda Saddagide….are beauty from Sadhu Kokila.
· Sugnan cinematography is splendid in the film.
· You can watch this film and get to know many things in life.
Title – Tony, Producers – Indrakumar, PN Krishnamurthy, Direction – Jayathirtha, Music – Sadhu Kokila, Cinematography – Sugnan, Cast – Srinagara Kitty, Aindrita Ray, Sharat Lohitashva, Dilip Raj, Preethi Zingiani, Ravishanker, Veena Sunder, Suchindra Prasad, Dharmendra Prasad
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