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Posted date: 07 Thu, Dec 2017 10:30:59 AM
The first independent production in ‘Dhuniya Talkies’ – Johny Johny Yes Paapa….is certainly not eating sugar but struggling hard on a lavish set of three religions streets at one locality of Mohan B Kere studio at Chikkamaranahalli.

Meeting the media for the first time after launch and a few days of shooting producer and actor Dhuniya Vijay looking tired for overnight shooting stated that he wants to make more good films in his banner. Like how a set was setup at Mysuru for ‘Johny Mere Naam…Priti Mere Kaam’ a set of Rs.1.5 crore is built here at Mohan B Kere Studio that is the main backbone, we have most happening music director Ajanish Lokanath, Rachita Ram as new Padmavathi disclosed Vijay on his most ambitious project. It is full of fun. There is action, six pack stunning situations, and we have shot for twenty days already on this huge set he pointed.

Pritam Gubbi director of the film continues from Johny Mere Naam…a super hit in the combination of Vijay and Rangayana Raghu. In place of Ramya he brings in Rachita Ram. In this huge set we have Hindu, Muslim and Christian sets and streets besides the house of hero and heroine.

The duo Vijay and Rangayana Raghu take up deal in the company. There are nearly eight forms that also look in to some precarious situations and get an easy solution. We have already shot two songs. Ninety percent of shoot will be completed at one locality. Rachita Ram plays an ambitious girl Priya in this film. The life style of her is western and she comes here in the colony of Vijay and RR. Achyuth Kumar is her father. Besides the ambience there is one locket for Vijay very important. Vinod is doing stunts. Vijay has plans for audio release in January and film release by March next year.

It was forty lakhs set in Mysuru for Johny Mere Naam, it is Rs.1.5 crore says Mohan B Kere. Lorry loads of nails have come means just imagine the work of Mohan B Kere and 150 people in one month.

Ajanish Lokanath happening music director has done music for four songs. Karunakar is cameraman.

Rangayana Raghu feels the atmosphere of work in theatre. In one place doing rehearsal and staging play was so good in system. Like that in one place of shooting the output will be good and free of other headache. It was not the case in Mysuru. We used to attend the fans more. This film is a sort of surrealistic in content. We look at the social issues but give our own solution. This film is sure to give wonderful entertainment.  At the end of the film one thing is going to strike.
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